THE HEPTONES

featuring Leroy Sibbles & Barry Llewellyn
& backed by RANKING SOLDIERS


 

3 de mayo - Valencia - Cormoran (18/21 Dub Club, Juanita)

4 de mayo - Barcelona - Apolo 1 (18/21 Tick-tack ticket)
5 de mayo - Bilbao - Santana 27 (20/22 puntos habituales)
6 de mayo - Madrid - Sala Caracol (18/21 Up Beat)


Sábado 5 de Mayo 2007 - Maiatzak 5, Larunbata - BILBAO

THE HEPTONES + THE STARLITES + BENJAMMIN

Sala Santana 27 - 21:30 horas - Pol.Ind. Santa Ana - Tellería, 27 - Bolueta, 48004 Bilbao

Anticipadas: 20. Taquilla: 22. Puntos de venta anticipada: Bizkaia/ Power Records, Santana 27, Massive, Brixton Denda, Street Warrior. Gasteiz/ Jamaica - Por e-mail: brixtonrecords@gmail.com


History

Leroy Sibbles, Earl Morgan and Barry Llewelyn first came together as "The Hep Ones" in 1965 in Kingston, Jamaica but they soon changed their name to "The Heptones."

They recorded for the major Jamaican producers at the time, including Coxsone Dodd of Studio One fame. The Heptones had a number of Jamaican hits for Studio One, including "Pretty Looks Isn't All," "Fattie Fattie," and "I Got the Handle." They went on to record with Joe Gibbs, Harry J (Harry Johnson), Rupie Edwards and Danny Holloway. In 1977, they recorded Party Time for Lee Perry, one of Perry's finest productions, which included a version of Bob Dylan's "I Shall Be Released."

Sibbles left the group in 1977 to start a successful solo career. He was replaced by Naggo Morris. After Sibbles left, the group's popularity waned. The original trio reunited in 1995 and released Pressure! produced by Tappa Zukie

One of the definitive rocksteady vocal groups, the Heptones were also one of the few to successfully make the transition to the reggae era. The group was fronted by A&E: Gene Simmons Family Jewels Sundays at 9/8c
Leroy Sibbles, who was not only an exquisite singer but also a talented songwriter, arranger, and session bassist at the legendary Studio One. Penning much of its own material, the group boasted one of the deepest catalogs of its time, full of high-quality numbers that were widely imitated for their close-harmony vocals, and widely recycled for their loose, liquid, melodic instrumental grooves. The Heptones were formed in Kingston in 1965, with a lineup of Sibbles, Barry Llewellyn, and Earl Morgan. At first they called themselves the Hep Ones, but a one-word name seemed to make more sense to fans, and the change was made accordingly. They made their first recording for Ken Lack's Caltone label that year, a strange ska adaptation of "The William Tell Overture" titled "Gun Men Coming to Town."

Things started to take off for the group in 1966 when they caught on at Clement "Coxsone" Dodd's Studio One, the pre-eminent hit factory of the rocksteady era. Dodd helped train the group in the art of harmony singing, and also guided budding songwriter Sibbles, who developed a sly, sarcastic sense of humor to underpin his tales of broken-hearted lovers. The Heptones had their first hit later that year with "Fattie Fattie," a ribald paean to large women that was banned from Jamaican radio but sold briskly nonetheless. They went on to record vast amounts of material for Dodd over the next five years, including their first-ever LP, On Top, in 1970. As the hits piled up, Sibbles became a staff songwriter and arranger, played bass with the Studio One house band on a multitude of recordings, and worked as an assistant producer and talent scout as well. However, by 1971, a Rastafarian social consciousness was emerging in his writing, and he had grown tired of the boundaries of working in Dodd's studio system; that sense of confinement led to an acrimonious split with Dodd.

Over the next few years, Sibbles took the Heptones on a virtual tour of Jamaica's top producers, cutting material for Joe Gibbs, Harry J, Augustus Pablo, Rupie Edwards, and many others. In 1973, they moved briefly to Canada, but soon returned to Jamaica. The Heptones signed a major-label deal with Island in 1975 and released their label debut, Night Food, the following year; it was produced by Lee "Scratch" Perry and featured mostly new versions of old Studio One material. The follow-up, 1977's Party Time, followed a similar blueprint, and also included an eye-opening cover of Bob Dylan's "I Shall Be Released." It proved to be the group's biggest-selling album in the international market, but the 1978 follow-up, Better Days, sold disappointingly by comparison, and Sibbles departed for a solo career not long after.

The remaining Heptones replaced him with Naggo Morris and soldiered on with 1979's Joseph Hoo Kim-produced Good Life. They continued to record and perform during the '80s, though without the success they had enjoyed with Sibbles out front; gradually, other members drifted through the ranks, including Glen Adams and Joseph Forester. The original trio of Sibbles, Llewellyn, and Morgan finally reunited in 1995 for the album Pressure!, produced by Tappa Zukie. ~ Steve Huey, All Music Guide

Discography

Selected Singles

* "Fattie Fattie" (1966)
* "Book of Rules" (1973)
* "Party Time" (1977)

Albums

* The Heptones (aka Fattie Fattie) (1967)
* On Top (1968)
* Black is Black (aka Ting a Ling) (1970)
* Freedom Line (1971)
* Book of Rules (1973)
* The Original Heptones (1976)
* Cool Rasta (1976)
* Night Food (1976)
* Party Time (1977)
* Better Days (1978)
* Good Life (1979)
* Mr. Skabeana (w/ Alton Ellis) (1980)
* Swing Low (1985)
* Changing Times (1986)
* Pressure! (1995)


 

 

 

 

 

 

 

 

 

 

 

The Starlites se forman en el año 1996 en La Rioja Alavesa (EH) con la mayoría de los miembros originales de la mítica banda "Banana Boats" . Primero como Los fabulosos Dolby y finalmente como The Starlites se proponen revitalizar los sonidos de la era dorada de la música jamaicana, los sonidos que funden el soul con el Ska jamaicano: el Rocksteady.
Liderados a nivel compositivo por Ezequiel Garcia (ex-Dr. calypso, Banana Boats, Fabulosos Dolby) se meten a estudio para grabar lo que será su primer disco.Un Maxi-cd de 4 canciones en las que nos muestran claramente cuales son sus intenciones y influencias y en el que ponen todos sus medios para reproducir ese sonido que tanto aman. Este disco será también la primera referencia del sello "Brixton records" y logra reconocimiento dentro del circuito especializado del reggae.
Tras este disco le siguen sus directos en los que comparten escenario con artistas de la talla de Rico Rodriguez, Laurel Aitken... y en los que logran crear atmósferas en las que el publico se siente transportado y en clara conexión con la banda.
Después de presentar su primer disco (Madrid, Barcelona, Bilbo...) y debido a la insistencia e interés del sello brixton records, The Starlites vuelven al estudio a grabar el que será su primer larga duración "Bikini groovy". Este disco les dará el reconocimiento que merecen en el circuito internacional y será una primera piedra de toque para que la banda comience a despegar como banda puntera dentro del Ska y Rocksteady moderno. El sonido de ese disco llevará a la banda, por ejemplo, a ser nº 1 en el apartado de mejores discos del 2002 de la prestigiosa revista francesa Ragga Magazine o a crear gran expectación en mercados como el japonés. Cada vez con mas fans e incondicionales, The Starlites se embarcan en giras cada vez mas prestigiosas y a colaborar en recopilatorios de todo el mundo hasta llegar a hoy día en que la formación a variado incluyendo un trompetista (Ex-Tijuana in Blue) y teclista nuevo y un repertorio en el que mezclan su famosa manera de entender el Rocksteady junto con composiciones mas en onda Funky Reggae o incluso Soul.

Ya sabemos la respuesta...

DISCOGRAFIA:

- 1997-VVAA "ARABA EUSKARAZ" (Con el tema "Gorabidean")
- 1998-THE STARLITES "ROCK STEADY EXPLOSION" (BRIXTON RDS)
- 1999-VVAA "2º DR. MARTENS INTERNATIONAL SKA FESTIVAL" (TRALLA RDS)
- 2000-VVAA "LATIN SKA JAZZ" (SOCK IT RDS)
- 2000 "BRIXTON CATS AND THE RUDIES COMPILATION #1" (BRIXTON RDS)
- 2001 "THE STARLITES"BIKINI GROOVY" (BRIXTON RDS)
- INTERNACIONAL "GLOBAL SKA 2" (REVELDE RDS)

FORMACIÓN:

Ezequiel García: Guitarra - Bajo
J.R. “Chimbo” Llanos: Voz - Armónica - Coros - Percusiones
Nacho Colis: Batería
Caco Santolaya: Bajo - Guitarra
Eduardo Sánchez: Teclados - Coros
Javier Esparza: Trombón
Alberto Apellániz: Saxo Tenor
Jon Celestino: Trompeta - Coros


Santana 27 - Pol.Ind. Santa Ana - Tellería, 27 - Bolueta, 48004 Bilbao